Install this theme

This is important to my…health and safety. 

afrotitty:

thestoutorialist:

pussypoplikecolacoca:

Black Velvet

Flawless performance is flawless.

FLAWLESS. JUJUBEEEEE. 

*High-five*

*High-five*

Mind-Cruton: More Shit That Confuses Me

  • Keira Knightley’s insistence upon starring in movies that require her to wear corsets. She doesn’t even need a bra.
  • What Tumblr’s deal is with Bukowski, exactly. 
  • The amount of Childish Gambino that’s considered unhealthy to consume in one sitting. 
  • The extent to which Kate Winslet has been allowed to eyebrow-act her way into an award-winning career. 
  • Jogging. 
  • Infants. 
  • Cheese that isn’t in my mouth. 
  • Referring to anyone’s vagina as a “yes-yes” outside of a maximum security women’s prison. 
  • Pomeranians.
  • Colors that aren’t black. 

[Flash 9 is required to listen to audio.]
Everyday Is Like Sunday by Morrissey from the album: Viva Hate

Morrissey / Everyday Is Like Sunday

darksilenceinsuburbia:

Sol LeWitt (to Eva Hesse)

darksilenceinsuburbia:

Sol LeWitt (to Eva Hesse)

As usual, my sister speaks the truth. 

As usual, my sister speaks the truth. 

suicideblonde:

Where there’s smoke, there’s fire by Russel Patterson
Russell Patterson was a celebrated and prolific American cartoonist, illustrator and scenic designer. Patterson’s art deco magazine illustrations helped promote the idea of the 1920s and 1930s fashion style known as the flapper. As his career blossomed, his ubiquitous version of the modern Jazz Age woman graced the covers and interior pages of The Saturday Evening Post, Vogue, Vanity Fair, Cosmopolitan, Redbook and& Photoplay, among many other magazines. As celebrated at that time as the “Gibson Girl” had been years before, his “Patterson Girl” was, in the words of Armando Mendez, “simultaneously brazen and innocent.”  Martha H. Kennedy cites Patterson’s dependence on the “graphic power of elegant, outlined forms, linear patterns of clothing and trailing smoke to compose strongly decorative, eye-catching designs.” Women of the time turned to Patterson’s work to follow trends in clothing, jewelry and cosmetics.

suicideblonde:

Where there’s smoke, there’s fire by Russel Patterson

Russell Patterson was a celebrated and prolific American cartoonist, illustrator and scenic designer. Patterson’s art deco magazine illustrations helped promote the idea of the 1920s and 1930s fashion style known as the flapper. As his career blossomed, his ubiquitous version of the modern Jazz Age woman graced the covers and interior pages of The Saturday Evening Post, Vogue, Vanity Fair, Cosmopolitan, Redbook and& Photoplay, among many other magazines. As celebrated at that time as the “Gibson Girl” had been years before, his “Patterson Girl” was, in the words of Armando Mendez, “simultaneously brazen and innocent.”  Martha H. Kennedy cites Patterson’s dependence on the “graphic power of elegant, outlined forms, linear patterns of clothing and trailing smoke to compose strongly decorative, eye-catching designs.” Women of the time turned to Patterson’s work to follow trends in clothing, jewelry and cosmetics.

Portrait of a friend I’m trying to finish up today (the lips and hair in particular need some polishing). Soft pastel on pale blue paper. (I’ve been asked by a couple people to post more of my arty endeavors—let me know if it gets annoying!)